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상품명 2023대비 이미정 전공음악1 (수강생전용도서)
도서정보 저자 : 이미정 / 출판사 : 임용닷컴 / ISBN : 979-11-6542-086-4 / 발행일 : 2022. 3. 10 / 페이지 : 644
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2023대비 이미정 전공음악1 (수강생전용도서) 수량증가 수량감소 33250.00 (  )
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1. 본 도서는 수강생 전용 도서임용북닷컴 회원 만 구매하실 수 있습니다.

(비회원 및 비로그인 상태 시 구매 불가)


2. 유선상으로 학원측과 연락하여 수강생 이름과 주문자 이름 동일여부 확인 절차 진행 후 발송 처리 됩니다.

수강생으로 확인되지 않으면 주문상태는 '배송보류'로 처리 되며, 추후 수강생으로 확인되면 정상 발송처리됩니다.


3. 최대 주문 수량은 1개 입니다. (추가 재구매 불가)


4. 본 도서는 '2023 음악 이미정 연간패키지', '2023 음악 이미정 1~2월 패키지', '2023 음악 이미정 3~11월 패키지', '2023 전공음악 기본이론반', '2023 전공음악 심화이론반' 강의 교재 입니다. 

해당 강의 수강생이 아닌 경우 도서는 발송되지 않습니다.  


5. 수강생전용 도서와 일반도서를 함께 구매하신 경우 수강생 여부 확인 후 함께 발송됩니다.

  만일, 수강생이 아닌 경우 일반도서는 부분발송이 되지 않으니 참고해주시기 바랍니다.




[목차]


01 서양음악 악전 5

Ⅰ. 음악의 정의와 음의 물리적 속성 6
 1. 음악의 정의 ························································································································ 6
 2. 소리(음)의 속성 ··················································································································· 7
 3. 조율이론 ································································································································ 11
 4. 음의 속성과 관련된 현상들 ································································································· 19

Ⅱ. 기보법 22
 1. 음자리표와 보표 ················································································································· 22
 2. 음이름 ···································································································································· 26
 3. 변화표 ···································································································································· 27
 4. 음표와 쉼표 ·························································································································· 28
 5. 박자 ······································································································································· 34
 6. 연주법과 기호 ····················································································································· 36

Ⅲ. 음계와 조 48
 1. 음정 ····································································································································· 48
 2. 음계와 조 ······························································································································ 51

Ⅳ. 악기론 58
 1. 개괄 ······································································································································· 58
 2. 현악기 ·································································································································· 59
 3. 목관악기 ······························································································································ 79
 4. 금관악기 ································································································································ 87
 5. 타악기 ···································································································································· 94
 6. 건반악기 ································································································································100

02 서양음악사 107

Ⅰ. 고대( -500) 108
 1. 가장 오래된 음악 관련 기록 ·······························································································108
 2. 고대 문명과 음악 ·················································································································109
 3. 고대 그리스의 음악과 사상 ·································································································113
 4. 고대 로마의 음악 ·················································································································126
 5. 그리스 음악의 유산 ··············································································································127

Ⅱ. 중세(500-1400) 128
 1. 중세 교회 음악 개괄 ············································································································128
 2. 기독교의 확대 ·····················································································································128
 3. 그레고리오 성가의 탄생 ······································································································133
 4. 가톨릭 전례와 성가 ············································································································146
 5. 중세의 노래와 춤 음악 ······································································································168
 6. 다성음악 ································································································································183
 7. 14세기 프랑스와 이태리의 음악 ·························································································208

Ⅲ. 르네상스 시대(1400-1600) 230
 1. 르네상스 시대 개괄 ··············································································································230
 2. 음악의 르네상스 ···················································································································233
 3. 15세기 영국과 부르고뉴 악파의 음악 ················································································236
 4. 플랑두르 악파(Franco-Flemish Composers, 1450-1520) ················································254
 5. 종교개혁기의 교회음악 ········································································································269
 6. 르네상스 민족 양식 ··············································································································288
 7. 기악음악의 발달과 베네치아 악파 ······················································································305

Ⅳ. 바로크 시대(1600-1750) 317
 1. 바로크 시대의 문화적 배경과 음악적 특징 ·····································································317
 2. 바로크 시대의 오페라 ········································································································324
 3. 칸타타와 오라토리오 ············································································································347
 4. 그 외의 성악음악 ·················································································································354
 5. 오르간 음악 ··························································································································359
 6. 건반악기 음악 ·······················································································································363
 7. 변주곡 ··································································································································363
 8. 모음곡 ····································································································································367
 9. 소나타 ··································································································································369
 10. 협주곡 ··································································································································373
 11. 바로크 시대의 주요 작곡가들 ···························································································376

Ⅴ. 고전주의 시대(1750-1810) 393
 1. 계몽주의 시대의 음악적 취향과 양식 ············································································393
 2. 전고전주의(pre-classicism)의 음악 ······················································································394
 3. 고전주의 오페라 ···················································································································396
 4. 고전주의 성악음악 및 교회음악 ························································································403
 5. 고전주의 시대의 기악음악 개요 ························································································404
 6. 고전주의 시대의 주요 작곡가들 ··························································································411

Ⅵ. 낭만주의 시대(1810-1900) 435
 1. 시대적 배경 ··························································································································435
 2. 낭만주의 가곡 ·····················································································································437
 3. 낭만주의 피아노 음악 ········································································································448
 4. 낭만주의 관현악과 실내악 ·································································································460
 5. 낭만주의 합창음악 ················································································································471
 6. 낭만주의 오페라와 극장음악 ·······························································································472
 7. 민족주의 ······························································································································492
 8. 19세기 후반의 양상 ·············································································································503

Ⅶ. 현대음악(1900- ) 509
 1. 20세기 전반 : 지역별 음악 ·································································································509
 2. 모더니즘 작곡가들 ················································································································541
 3. 1차 세계대전과 2차 세계대전 사이 재즈와 팝음악 ························································578
 4. 1차 세계대전과 2차 세계대전 사이 예술음악 ···································································584
 5. 2차 세계대전 후 대중음악의 변화 ····················································································604
 6. 2차 세계대전 후 예술음악의 변화 ····················································································607
 7. 20세기 말 - 밀레니엄의 끝 ······························································································630

부록 ··································································································································638

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- 고객님의 책임 있는 사유로 상품등이 멸실 또는 훼손된 경우.
  단, 상품의 내용을 확인하기 위하여 포장 등을 훼손한 경우는 제외
- 포장을 개봉하였거나 포장이 훼손되어 상품가치가 상실된 경우
- 고객님의 사용 또는 일부 소비에 의하여 상품의 가치가 현저히 감소한 경우
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- 복제가 가능한 상품등의 포장을 훼손한 경우
 (자세한 내용은 고객만족센터 1:1 E-MAIL상담을 이용해 주시기 바랍니다.)

※ 고객님의 마음이 바뀌어 교환, 반품을 하실 경우 상품반송 비용은 고객님께서 부담하셔야 합니다.

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